Since 2016 Giorgio Coniglio, registered pseudonym and editor-in-chief, has been bundling collections of POETRY, WORDPLAY and PHOTOGRAPHY, grouped by topic, and seasoned with humour and parody. His sole aim is to entertain you with presentations 4 times per month. The poems have primarily been edited and approved at other online sites.The related blog "DAILY ILLUSTRATED NONSENSE" sends out items from these collections in intentionally random order one-at-a-time.
Wednesday, 20 March 2024
American wordplay map: R-E-P-U-B-L-I-C-A-N V-O-T-E-R-S, #2
Sunday, 10 March 2024
Aerial Chorus: WHAT'S UP?
CURRENT CONTENTS
Contrails and chemtrails
Eos 221 (Dawn's endless night)
Honk (geese in-formation)
Author's Note: The author is thinking here of wild geese, like the Canada goose, taking a more favorable view than he did in an earlier verse that you can find HERE. The V-formation is characteristic of, but not unique to, flights of their flocks.
Tuesday, 5 March 2024
POETS' CORNER: third angle
This blogpost is a continuation of verse from the collections 'POETS' CORNER', as posted on this blog March 5, 2022 (first angle), and March 5, 2023 (second angle).
previous poetic posts (Note that captions are available for poems displayed on slides in "Daily Illustrated Nonsense" as of March, 2024).
(first angle): addiction to limerick writing, authorly skill, blogosphere, bold faced/bald-faced, cans and can'ts (argumentatively), collaboration.
(second angle): creative writing, depressed limericist, doggerel ("brief sagas'), editorial balking, editorial state "Held", (the poet's) family.
Gender-neutral language
inventiveness (palinkus)
Noun-verb contractions
Philosophy of limericks
Satirical doggerel

Authors' Note: Used here in a loose sense, with no implications for ownership, 'collaborative' refers to a group effort by like-minded individuals. Collaborative writing sites, such as the on-line dictionary OEDILF (nursery for many of Giorgio's concoctions), have the potential advantage to contributors of learning from peers, and ultimately higher rates of publication. Contributing editors ('eds'), however, may entertain estimations of their personal relevance and productivity that influence their editorial comments on others' work. Rarely, such notions are translated into malevolent actions by these poet-leaders.

